Ars Electronica 2023 – a review
“After three years on the green campus of JKU, Ars Electronica returned to POSTCITY. 88,000 visitors, 1,542 artists, scientists, developers, designers and activists from 88 …
Lake Como Design Festival: the enchantment of nature through the lens of design
On the occasion of its fifth edition dedicated to Pliny the Elder’s Naturalis Historia, the festival returned to animate historic and prestigious locations scattered across …
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Reflections of healing and return, Khanyisile Mbongwa’s Liverpool Biennial
The insistence on being truly deliberately alive It’s a cloudy morning in Liverpool, layers of different shades of grey overlap against a luminous white background …
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Is Email Dead?
At the Design Museum, London, the multinational Intuit Mailchimp presents an immersive display to explore how email will shape our future. The category of human …
BARBIE – the art of neglecting capitalism
Barbie is an event in 2023, nobody can deny that. Too many pictures of friends and peers dressed in pink posing in life-size Barbie packaging …
Andreas Gursky. Visual Spaces of Today – about curiosity
Realer than real: Andreas Gursky’s photography on show at MAST Bologna Photographing means, quite simply, capturing a given subject at a given time, in a …
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Rachel Whiteread reflects on pandemic with major installation in Bergamo
For the sixth consecutive year, the GAMeC of Bergamo returns to occupy the Palazzo della Regione with a new installation designed by one of the …
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The desire of being alive, a conversation with Alexandra Sukhareva
About time, light and matter: how Russian art resists Alexandra Sukhareva (Moscow, 1983) is a Russian contemporary artist whose practice focuses on the meaning of …
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AMAA at the Architecture Biennale
It’s Kind of a Circular Story: Recovering an ex-NATO base, dealing with Memory and decarbonization at the Venice Architecture Biennale. Being sustainable and decarbonizing must …
Discussing Europe with photography
A variety of photographic gazes at the European Photography festival in Reggio Emilia: an ode to plurality, conversation, and action. ©Yelena Yemchuk, Odesa With the …